STATEMENT

I explore layers of perception and how these layers affect our view of the world.  I merge classical traditions- pencil drawing, and painting – and new technologies – laser printing, LED lighting - to draw familiar images  intertwined with conceptual references.

Drawing and experimentation have always been central to my artistic practice.  I play with the interaction of art, technology and human perception.  

In my current body of work - Invisible Cities - I use digital manipulation, laser-printing  and LED lighting to create simple urban narratives from architectural views that reflect the contrasting realities of cities.  I draw from the work of the greatest architects, iconic buildings, from the forgotten neighborhoods and the religious buildings, from the past and from the present.   I digitally manipulate these architectural views to transform them into urban environments to create mystified urban landscapes.